This blue marble

– and yet it spins


2 Comments

Like fish in the jungle

junglefish-1One hot day we decided enough is enough. Enough heat, enough dust, enough bustle. Two of us hopped into a taxi, and one of us dared a crazy scooter taxi ride out, all the way through the rice paddies and into the jungle. Because (and this is a secret), there is a little patch of heaven hidden in the jungle. Like this:junglefish-5We threw ourselves down into a hanging bed – and to our delight they had sparkling wine on the menu. What a rare treat on Bali! And so were the lovely superfood salads. And so was the stretching and pummeling also called a “Balinese massage”. junglefish-2The fish swam in their little pond. We swam in our bigger pond, where the water spilled down over the edge, and the jungle crept close.junglefish-4Not until sunset, when the lanterns in the trees were lit, did we get dressed and return to Ubud. And if you cannot muster the strength to leave this patch of heaven (we nearly didn’t), you can dine overlooking the jungle, and check into a room of your own. Yes please. Next time!
junglefish-3(Junglefish spa, Ubud, Bali, Indonesia; August 2016)

 


Leave a comment

Ubud street art

streetartWhat a marvelous sense for beauty the Balinese have. Everything on Bali is beautiful, right down to the pavements. Why would anybody settle for boring asphalt or concrete, when one can scatter little flowers of beach pebbles here and there, or decorate one’s runway with an intricate flower mosaic pattern? Scandinavian simplicity my a**. I prefer flowers.

(Ubud, Bali, Indonesia; August 2016)


Leave a comment

Surfer’s sunset

uluwatu-1The Uluwatu beach community is built on the side of a rock: stairs crawling up and down, leading into little rural-style warungs serving simple dishes. Uluwatu is still just one inch on the backpacker/local-hangout side, if only for a few years to come.

Late in the afternoon the warungs perched on the cliffside are busy with hungry beach goers and surfers. But a sunset everybody leaves. It is a mystery. Where does everybody go? Is there no nightlife on such a gorgeous spot? All warungs are empty and closing down by 8 pm – except for Single Fin, the bar on top of the cliff. After trying out the local warung mahi-mahi with boiled potatoes, steamed vegetables and simple brown sauce, Single Fin was a no-brainer, especially with their fingerfood and cocktails menu.

Sometimes it is good to face it: touristy is what a tourist does. But the view over the water made the inflated-priced cocktails worth it: first a Sunset with a capital S. Then, later  hundreds of fishing boats blinking their lights in the dark. And always the sound of the surf.

(Uluwatu, Bali, Indonesia; August 2016)


Leave a comment

Surf beach with no surf

uluwatu-3No surf today on one of the most legendary surf spots on this planet. When the tradewinds are right, I am told, one can keep on surfing in a seemingly endless, emerald-green pipe. It must be an experience of a lifetime.
uluwatu-2Today, Padang Padang beach was not for surfers but for children. And lazy sunbathers like us, sipping on coconuts and gnawing on freshly grilled corn cobs from the fire.

The road down to the beach takes you through steep rock walls on a winding staircase. Or, should a tsunami hit, back up. There is only one way out, and it is clearly signed. And I could not help but wonder: why is it that the only places I see tsunami evacuation instructions are those places with only one way out: the same, no-brainer way you got in? uluwatu-4(Padang Padang, Bali, Indonesia; August 2016)


1 Comment

Uluwatu: on the sacred edge

uluwatu-7After bustling Ubud, Uluwatu is silence, sea, and surfers. Hot, winding, dusty roads with bush and dry forest everywhere; a house here, a villa there. The air is steamy from the evaporating surf.

We dressed in saris and sashes, removed our jewelry and sunglasses so they would not be snatched by the mean monkeys, and walked down to the cliffside where the Uluwatu temple perches above a 70 m drop down into the ocean. The wind whipped our faces and the spray of the surf wet our hair even if the sea was far down below. Such a magnificent place can only be considered one thing: sacred.  uluwatu-6The Uluwatu temple is one of the most sacred temples on Bali, alongside Pura Tanah Lot, the other temple ravaged by the sea and the wind.

As I stood on the cliffside, the wind in my face, I pondered at how we humans link awe to a spiritual experience. When we are struck by something intensely beautiful or impressive, we call it “otherworldly”, and sometimes we even have what can only be called a spiritual or religious experience. Yet, even if a place like Uluwatu is sacred, it is still of our own world. Our own planet is this beautiful.

Perhaps it would help if we saw our own world as more sacred? Not just breathtaking places of natural beauty like Uluwatu, but all of it? If we consider life in general sacred, and this planet is all we have to live on, how could it be anything else than sacred?uluwatu-5(Uluwatu, Bali, Indonesia; August 2016)


Leave a comment

In the rice fields – the sequel

ricepaddies-1I could start like I did last year: There was a friend reunion, and a path away from Ubud to the rice paddies, where the air is clean. There were newly planted rice greens, and palm trees. And frogs. Thousands of frogs, humming the night away to themselves and their fiancés. Party in the rice fields, I tell you.

In the darkness sinking on us we spoke of chasing for breakthrough science and innovation that will cure cancer. Of the importance of showing women that computer game creation isn’t only a man’s world – that it has nothing to do with gender. And how we ended up here together because we first met in Greece, and a few years later had dinner in a frosty cold Helsinki, and there made a quick decision to go back to Bali – together. The world is a small place if you want it to be. ricepaddies-2(Ubud, Bali, Indonesia; August 2016)


Leave a comment

Silk, gold, and gamelan

balidance-1Any given night in Ubud one can hear the insane, energetic beating of the Gamelan instrument. Follow the clear, metallic rhythm as it weaves out of a temple and you most likely come to a dancing spectacle. Young girls who dance with their eyes more than with their bodies. Ladies who dance with their fans and arms more than with their bodies. And men who grow into mighty warrior gods, darting here and there in the spotlight.

The Balinese dance for their gods, and for a sacred balance in the world. Even when they dance for tourists, there is an element of ceremony. A dancer learns from a master, and is ready only when the master’s “taksu”, or dancing spirit, enters his or her body and suddenly turns the performance from ordinary study into something slightly magical. Like at the Ubud Palace tonight.

As I saw black-sooted eyes dash back and forth to the tunes of an an ancient instrument used to summon the gods, I  could not help but think of how even the most primitive aspects of the Balinese culture are light years ahead of those of mine. Compared to the simple ritualistic chanting and entertaining dance music of the past of my country, the intricate Balinese interplay between gamelan tunes and dancer’s feet, and the poetry and dress, are the height of civilization. If they only knew. How crude they would think our heritage is.balidance-2(Ubud, Bali, Indonesia; August 2016)


Leave a comment

Street life

ubudstreet-4Stumbling over sleeping dogs and old morning offerings swept to the sidewalk, I amble the  side streets of Ubud. It is a hot afternoon. I challenge myself to get lost in a town with 3 main roads. To discover the remains of village life. ubudstreet-3Is it a temple or a wealthy Balinese house? As a visitor to Bali I can usually never tell. Perhaps if the door is decorated it is that of a temple. But each wealthy Balinese house has a large shrine, so basically it is a temple within a house. Same same. ubudstreet-1Every street has remainders of old ceremonies: bamboo poles with yellowed palm leaves, cut-out paper decorations in faded yellow and orange. As soon as the decorations become properly weathered, it is already time for a new village ceremony. The Balinese year is only 210 days long.

But flowers are always fresh. The laughing buddha certainly did not end up with two flowers in his lap because the wind blew. No, he was carefully decorated in the morning, and will be each morning until time wears him out or the Balinese stop believing. ubudstreet-2(Ubud, Bali, Indonesia; August 2016)


Leave a comment

Spa bliss on Bali

sangspa-2“Massage is the simplest form of happiness” the sign proclaims. While I disagree and substitute “massage” with “sleep”, I concur that Bali is the place where one can become dizzyingly blissfully happy in the hands of a good masseuse. Not to mention the flower baths and foot washing and clay masks and jamu tonics sipped wrapped in fluffy bath robes, often in the middle of a lush garden or jungle.

The Balinese claim to have invented the spa concept. During the centuries, ancient Balinese herbal knowledge mixed with Hindu ayurveda and massage and Chinese acupressure. Appreciation of beauty is the color of the Balinese soul, and so a Balinese spa is not a cold stark operational chamber but a place invoking both inner and outer beauty. Both men and women go to their favorite village spa for treatments as naturally as we Westerners take a bath.

The essence of a Balinese massage is to open the clogged channels of blood, oxygen, and prana (or qi). While nothing replaces exercise and mindful living, a Balinese massage once a week while here surely cannot hurt?sangspa-1(Ubud, Bali, Indonesia; August 2016)


Leave a comment

Bali, the island loved to bits

ubudgreenFor a day tripper, Ubud most likely seems like a hot, loud, motorbike-exhaust-filled hell. How different it must have been when the first tourists came to Bali in the 1930s! A strip of street with  a shop and a gas station. Women walking topless to the market, carrying baskets on their heads. No noise, few cars, no motorbikes. No big domestic animals, either, really: people did most of the carrying themselves.

Under the Dutch rule Bali had become a spice island, and one initially entered through Singaraja in the North. Miguel Covarrubias the artist describes ugly, cheap housing, gas stations, dirty shops, dirty people. Not really the picture postcard of lush, green banana trees and beautiful women. One must first endure a sweaty and tiring drive down south, over the cold mountains of Batur, until the air warms and becomes clear, the lush green forests appear, and the picture postcard becomes real.

In the 1930s Denpasar was the place to be. I have been to Bali twice and never seen Denpasar. In the 1930s, Kuta and Legian are described as miserable, malaria-infested lowlands. Today, they are miserable, drunk Aussie-tourist infested lowlands. In the 1930s, Ubud is described as a strip of street with a shop and gasoline station. Today, indeed, it is more shops and gasoline than streets, with strips of green.

In the 1930s, women began to dress in shirts and everybody understood that tourists can be a source of income. It was the end of innocence on Bali and the artists and etnographers residing there were sorry to see it go. Today, just 80 years later, the Balinese I see are Western on the outside and Balinese on the inside. There are still rice paddies and dancing and ceremonies, but no longer the old lifestyle, save for morning offerings.

As I was sipping on my post-yoga practice coconut, I thought of the basic etnographer’s theorem that by mere observational presence we change the object we try to observe. And tourists have never just tried to observe Bali – they’ve loved it so much they have tried to either become Bali or take a piece of Bali with them when they leave. Unfortunately, the reverse goes for the Balinese who meet Westerners. I hope that still 80 years in the future the Balinese would be proud to be Balinese on a unique island called Bali, even if people like me love their island and its soul to bits and crumbs.coconut(Ubud, Bali, Indonesia; August 2016)