What we see on an opera stage truly is only what we are meant to see. The thing with stages is, what is in view is always just a tiny portion of the entirety. You see, there is a backstage. And a side-stage. And an above-stage. And a beneath-stage. Because a single show may require five different sets, and they all need to be wheeled in and out of sight in a matter of seconds. The backdrop is hardly rolled like window-blinds – it is simply winched up – still hanging.
It is the depth in every direction that deceives. And all the ropes and props and invisible men (and some women). All the world is a stage, Shakespeare said. But he never mentioned the backdrop, and everybody in it helping us play our part. (Vienna, Austria; February 2017)